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I work with painting, material, and space. Linen, pigments, wax, ash, and other materials are not simply media to me, but carriers of time, traces, and transformation. In the working process, I am less interested in illustrating an idea than in the moment when something becomes visible or perceptible that resists clear definition.

My artistic practice is accompanied by questions that have concerned me for many years: How does perception arise? What remains active beneath conscious awareness? How do experiences, relationships, and inner structures shape the way we live — and when does change become possible?

Scientific, philosophical, and cultural questions form part of the background to my work. The works themselves, however, are not intended to explain theories. I understand art rather as a space in which perception can slow down and ambiguity is allowed to remain.

Perhaps this is why I am particularly drawn to the in-between: between memory and the present, between conditioning and choice, between what is visible and what nevertheless continues to act.

My work has been exhibited in Switzerland and internationally across Europe and Asia.

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